Parhaat elokuvat
Uutuudet
2018![]() | [1] |
![]() ![]() ![]() ![]() |
2017![]() | [1] |
![]() ![]() ![]() ![]() |
2016![]() | ![]() [2] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
2014![]() | ![]() [2] |
![]() ![]() |
![]() [2] |
![]() ![]() |
![]() [2] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
2012![]() | ![]() [2] |
![]() ![]() ![]() ![]() |
|
Samaan aikaan totuttua, ja yllättävää Hanekea. Kylmän rauhallinen ja analyyttinen, mutta selvästi lämpimän keskuksen pitävä, murheellinen tarina. Ohjaajalle tyypilliseen tapaan hylkää nostatuksen ja avainkohtaukset ja pyytää yleisöä täyttämään itse puuttuvat kappaleet. (PI) |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
||
Selkeästi vuoden paras. Pari teknistä yksityiskohtaa pisti ärsyttävästi silmään. Lähes täydellinen. () |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
![]() [2] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
||
Hieno, yleisöä aliarvioimaton ajankuva ja yksityiskohtia pursuava kamaridraama. Elokuvan jännite ei ole niinkään keskeisestä mysteeristä kiinni, kuin siitä että pieninkin, vaivalla rakennettu luottamuksen murunen murtuu puolin ja toisin. Ja sekös tuntuu pahalta. Virkamiehet niin syvällä omassa pelissään, etteivät he enää kykene elämään pelaamatta sitä hetkeäkään. (PI) |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
00-luvun parhaat
![]() [2] |
![]() ![]() |
![]() [2] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
![]() [3] |
![]() ![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
2007![]() | ![]() [3] |
![]() ![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
![]() [2] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
2003![]() | ![]() [3] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
90-luku
1999![]() | ![]() [5] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
1998![]() | ![]() [2] |
![]() ![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
![]() [2] |
![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() |
||
Katsojansa itsetietoisesti haastava antikatarttinen antielokuva. Kaikessa ärsyttävyydessään äärimmäisen nerokas. (JS) |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
![]() [2] |
![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
80-luku
![]() [2] |
![]() ![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
||
Intensiivinen, kerta kerran jälkeen mukanaan vievä trilleri, jonka kerronta koukuttaa katsojan. Yksinkertaisuudessaan voimakas, mutta aliarvioitu elokuvan tekemisen helmi. (JM) |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
||
Ennen Games of Thronesia piti käsissään parhaan tumman fantasiaeepoksen valtikkaa lähes suvereenisti. Tumma, maaginen maailma ilman rajoja; synkkyydestä kumpuava tarina yhdestä länsimaiden kuuluisimmista myytistä. (JM) |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
||
Yhdessä Maladolescenzan kanssa eksploitaatioelokuvan viimeinen, julma virtanpylväs. Näihin kahteen elokuvaan tiivistyi se häpeä, voima ja röyhkeys, johon 60-70 -lukujen graafinen elokuvakerronta vääjäämättä kulki. Erään aikakauden kyseenalaisia piirteitä sisältävä päätepiste. (JM) |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
70-luku
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
||
Keskiössä ennemminkin ihmissuhdedraamakuviot ja aikansa talousongelmien parissa painiskelu kuin itse lätkä. Hansonin taklari-retardi-veljekset onnistuvat hymyilyttämään joka katselukerralla. (JS) |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
![]() [2] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
||
Lightning Swords of Death! (PI) |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
![]() [2] |
![]() ![]() |
![]() [2] |
![]() ![]() ![]() |
![]() [2] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
60-luku
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
1967![]() | ![]() [2] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() ![]() |
![]() [2] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
![]() [2] |
![]() ![]() ![]() |
[1] |
![]() ![]() ![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
1960![]() | ![]() [4] |
![]() ![]() |
|
Hitchcockin elokuvateknisesti kenties ehein teos; silkkaa elokuvakerronnallista magiaa. Unohtaa ei sovi myöskään elokuvan roolia genrensä yhäti pulppuavana runsaudenlähteenä. Yksi klassisen ja modernin elokuvataiteen tärkeimmistä vedenjakajista. (JM) |
![]() [2] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() |
[1] |
![]() ![]() ![]() |
[1] |
![]() ![]() |